Glasgow’s highly anticipated ‘In The City 2025’ music festival, originally slated for August 23 and 24 at Barrowland Park, has been postponed, delivering a significant blow to the city’s vibrant cultural calendar. Organizers announced the difficult decision, citing insufficient ticket sales alongside the mounting challenges currently facing the live events and hospitality sectors. The news underscores a troubling trend impacting festivals across the United Kingdom.
The Unforeseen Postponement
The ‘In The City 2025’ event was set to transform Barrowland Park, also identified as a key part of Glasgow Green’s Bowling Green area, into a dynamic hub of sound and celebration. It promised a diverse lineup featuring acclaimed artists such as The Sugarhill Gang, The Furious Five, Huey Morgan, Don Letts, Jazzie B, and Daddy G of Massive Attack, alongside James Lavelle and others. The festival aimed to celebrate Glasgow’s rich musical heritage, embracing genres from reggae to electronic music, and was a planned highlight of the city’s 850th-anniversary celebrations.
However, in an official statement shared via their social media channels, the organizing team expressed regret, stating, “Despite our best efforts, ticket sales haven’t reached the level needed to deliver the experience our audience and artists deserve. Coupled with ongoing challenges in live events and hospitality, proceeding this year is no longer viable.” The unexpected announcement, made just days before the festival was due to commence, leaves many ticket holders disappointed and awaiting further information.
A Broader Industry Under Siege
The postponement of ‘In The City 2025’ is not an isolated incident but rather a symptom of deeper systemic issues plaguing the UK’s live music and event industry. Data from various industry bodies indicates a substantial increase in festival cancellations and postponements in recent years. In 2024 alone, a record 78 festivals were called off, a figure predicted to rise significantly by the end of 2025.
Industry experts point to a confluence of factors creating a hostile environment for event organizers. The persistent cost of living crisis is severely impacting consumer spending habits, leading to reduced discretionary income for leisure activities like attending a music festival. While overall participation in live music remains strong, consumers are increasingly selective, often opting for fewer, more expensive experiences, or utilizing flexible payment plans to manage costs. This shift affects ticket sales for many events, particularly new or independent ventures.
Compounding this are spiraling operational costs for promoters. Everything from artist fees and stage production to security, staffing, and logistical expenses has seen sharp increases. Grassroots music venues, the lifeblood of the industry, are particularly vulnerable, facing existential challenges due to these rising overheads and a lack of sustainable financial models. Furthermore, issues such as a scarcity of headline acts, increasing touring costs for artists, and local challenges like inadequate public transport and accommodation availability, especially in cities like Glasgow, add layers of complexity.
Implications for Glasgow’s UNESCO City of Music Status
Glasgow, recognized as a UNESCO City of Music, prides itself on its vibrant and accessible music scene. The ‘In The City’ event was conceived to bolster this reputation, establish Barrowland Park as a new focal point for live performances, and amplify local talent. Its postponement, therefore, represents a setback not only for fans but also for the city’s ongoing efforts to cultivate and celebrate its diverse musical roots.
While the financial challenges are paramount, the cultural impact of such cancellations extends beyond immediate losses. It affects the livelihoods of artists, technical crews, hospitality staff, and local businesses that benefit from festival tourism. It also dampens the enthusiasm of audiences and can erode trust in future events.
Looking Ahead
Despite the immediate disappointment, organizers of ‘In The City 2025’ have affirmed their commitment to rescheduling the music festival. They are actively working to secure a new date that accommodates the original lineup of artists. For those who purchased tickets, the organizers have confirmed that all tickets will remain valid for the rescheduled event, with a full refund option to be made available once the new dates are announced. This commitment, while reassuring, highlights the need for continued patience from attendees.
The situation facing ‘In The City’ serves as a stark reminder of the precarious nature of the live entertainment sector. The broader music industry, from major festivals to local venues, continues to call for increased government support, including potential VAT reductions, to safeguard its future amidst ongoing economic pressures and evolving consumer behaviors. The coming months will be crucial in determining the resilience and adaptability of Glasgow’s music scene and the wider UK festival landscape.


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