Embeth Davidtz Makes Director Debut with ‘Don’t Let’s Go to the Dogs Tonight,’ Adapting Alexandra Fuller’s Zimbabwe Memoir

Actress Embeth Davidtz, widely recognized for her compelling performances in critically acclaimed films such as “Schindler’s List” and the family favorite “Matilda,” is poised to embark on a new chapter in her distinguished career: feature film director. Davidtz, 59, makes her directorial debut with “Don’t Let’s Go to the Dogs Tonight,” a poignant adaptation of Alexandra Fuller’s 2001 bestselling memoir chronicling a childhood steeped in the turbulent landscape of Rhodesia (now Zimbabwe) during the late 1970s Bush War.

From Screen Presence to Director’s Chair

Davidtz’s transition behind the camera represents a significant evolution for the veteran performer. Born in the United States to white South African parents, she relocated back to South Africa at the age of 8 in 1974. This upbringing in Southern Africa during a period of immense political and social upheaval provided Davidtz with a unique perspective that deeply informs her approach to Fuller’s narrative. The memoir, and by extension, the film, delves into the complexities of growing up amidst conflict, the psychological toll on families, and the peculiar blend of beauty and brutality inherent in the environment.

Davidtz has spoken candidly about her path to directing, which began in her mid-50s. This shift followed a period of personal reflection spurred by surviving breast cancer and raising her children. She found in adapting Fuller’s memoir a compelling vehicle to explore universal themes through a lens she intimately understood – the impact of a challenging environment on a child’s formative years and the intricate dynamics of a family navigating extraordinary circumstances. The process allowed her to delve into the nuanced emotional landscape of the story, drawing parallels with her own fragmented memories of a similar time and place.

Adapting a Lived History

Alexandra Fuller’s memoir, “Don’t Let’s Go to the Dogs Tonight: An African Childhood,” is celebrated for its vivid, often darkly humorous, portrayal of a white African family’s life on the edge of collapse against the backdrop of civil war and the end of colonial rule. Adapting such a personal and geographically specific story presented unique challenges. Davidtz’s decision to take on this project underscores its deep resonance for her.

While the memoir is set in what is now Zimbabwe, production for the film ultimately took place in South Africa. The move was necessitated by practical concerns: Zimbabwe was deemed too unstable politically and lacked the necessary infrastructure to support a feature film production of this scope at the time of filming. Filming in South Africa, however, allowed the production to find locations that could credibly stand in for the Rhodesian landscape and leverage South Africa’s established film industry resources.

Introducing the Protagonist and Festival Acclaim

A crucial element of the film is the portrayal of the young protagonist, Bobo, the character representing a young Alexandra Fuller. The role of the 8-year-old Bobo is brought to life by young newcomer Lexi Venter. Davidtz’s direction of Venter was pivotal in capturing the child’s perspective – observant, sometimes bewildered, often finding moments of wonder even amidst surrounding chaos – which is central to the memoir’s power.

The film has already garnered significant attention on the international festival circuit. In 2024, “Don’t Let’s Go to the Dogs Tonight” was featured at prominent events including the Telluride Film Festival, the Toronto International Film Festival (TIFF), and the Zurich Film Festival. Early reviews and audience reactions at these festivals have praised Davidtz’s sensitive direction, Venter’s compelling performance, and the film’s evocative portrayal of a complex historical period and its human impact. The festival buzz positions the film as a noteworthy debut and a strong contender for critical recognition.

Exploring Profound Themes

The film delves into profound themes that resonate beyond its specific historical and geographical context. It examines the psychological toll of living in a perpetual state of tension and conflict, the challenges of maintaining a semblance of normalcy under duress, and the often-unseen burden placed upon children in such environments. Davidtz’s personal connection adds a layer of authenticity to the film’s exploration of identity, belonging, and the complex legacy of Southern African history. The narrative doesn’t shy away from the uncomfortable realities of the time but filters them through the perspective of a child trying to make sense of an adult world in turmoil, highlighting the resilience and vulnerability of youth.

Upcoming Theatrical Release

Following its successful festival run, “Don’t Let’s Go to the Dogs Tonight” is set for its theatrical release in 2025. The film will open in limited release in key markets, specifically Los Angeles and New York, on Friday, July 11, 2025. Following this initial debut, the film is scheduled to expand nationwide on July 18, offering audiences across the country the opportunity to experience Davidtz’s highly anticipated directorial debut and this adaptation of a powerful memoir.