Logic Unveils Directorial Debut ‘Paradise Records’ at Tribeca Festival 2025, Calls Film a ‘Defining New Chapter’

New York, NY — Rapper and multi-hyphenate artist Logic, known formally as Sir Robert Bryson Hall II, has made a significant foray into feature filmmaking with the premiere of his directorial debut, “Paradise Records.” The film was unveiled at the prestigious 2025 Tribeca Festival in New York City, marking a pivotal moment in the artist’s evolving career.

In an exclusive interview with The Cinema Group conducted amidst the buzz of the festival, Logic discussed the deeply personal and professional journey that culminated in the film’s premiere. The movie, a comedy set within the vibrant but often tumultuous world of a struggling record store, offers a narrative landscape that Logic both helms and inhabits, as he also takes on a starring role.

The Narrative and Setting of ‘Paradise Records’

“Paradise Records” centers on the eponymous record store, depicting the comedic trials and tribulations faced by its characters. This setting provides a rich backdrop for exploring themes often resonant with artists and enthusiasts in the music industry – passion, preservation, community, and the challenge of survival in a rapidly changing landscape. The choice of a record store, a symbol of a bygone era of music consumption that still holds significant cultural weight, suggests a narrative perhaps steeped in nostalgia but likely tackling contemporary issues through a comedic lens.

An Ensemble Cast Brings the Story to Life

The film boasts an impressive ensemble cast, blending established actors with other notable figures from the entertainment world. Alongside Logic himself, the movie features appearances from acclaimed talents such as Joseph Gordon-Levitt, known for his versatile roles across genres, and the veteran rapper Juicy J. The cast further includes figures familiar to fans of independent cinema and comedy, including Kevin Smith, the celebrated director and personality, David Krumholtz, recognized for his distinctive character work, and Martin Starr, known for his roles in popular television series and films.

The ensemble is rounded out by experienced voice actor Phil Lamarr, versatile actor Tony Revolori, and the prolific Diedrich Bader, each bringing their unique comedic sensibilities to the struggling record store environment depicted in the film. The diverse backgrounds of the cast members – spanning music, film, and television – suggest a dynamic on-screen chemistry integral to the film’s comedic nature.

Logic’s Emotional Journey Behind the Camera

Speaking with The Cinema Group, Sir Robert Bryson Hall II articulated the profound significance of bringing “Paradise Records” to the Tribeca Festival. He described the process of making the film as an “emotional journey,” highlighting the challenges and rewards inherent in stepping into the director’s chair for the first time on a feature-length project. This candid reflection underscores the personal investment Logic has in this cinematic endeavor, viewing it not merely as an extension of his artistic pursuits but as a fundamental shift.

He emphasized that directing “Paradise Records” represents a “defining new chapter” in his career, specifically noting his ambition and commitment to working behind the camera. This declaration signals a potentially deeper and sustained engagement with filmmaking beyond this initial project, positioning Logic as an emerging voice in the world of cinema.

Kevin Smith’s Crucial Role

Adding significant industry weight and expertise to the production was Kevin Smith, who served in a dual capacity as both an executive producer and the editor of “Paradise Records.” Smith, a filmmaker whose career was significantly boosted by his own independent debut “Clerks,” brings a wealth of experience in navigating the independent film landscape and crafting comedic narratives.

His role as executive producer likely involved guiding the project through its various stages of development and production, while his contribution as editor is crucial to shaping the film’s pacing, structure, and overall tone. Smith’s involvement underscores the collaborative nature of filmmaking and lends credibility to Logic’s first feature effort.

Premiere at the 2025 Tribeca Festival

The decision to premiere “Paradise Records” at the 2025 Tribeca Festival provided a prominent platform for Logic’s debut. Tribeca is recognized internationally as a key festival for showcasing a diverse range of films, particularly championing independent voices and narrative storytelling. A premiere here generates significant industry attention, critical review opportunities, and exposure to a broad audience.

For Logic, launching “Paradise Records” at such a festival validates his transition into filmmaking and allows his work to be seen by programmers, distributors, and fellow filmmakers, setting the stage for the film’s potential wider release and critical reception.

The premiere of “Paradise Records” at the 2025 Tribeca Festival signifies more than just the debut of a film; it marks the formal arrival of Sir Robert Bryson Hall II, aka Logic, as a feature film director. His reflections on the project, the collaborative spirit evident in the cast and crew, and the prestigious festival platform all point to this comedy about a struggling record store being a significant first step in what Logic hopes will be a long and impactful career behind the camera.