In a notable critical assessment published on January 8, 2025, the Robbie Williams biopic “Better Man” has garnered significant acclaim, receiving a score of 95% from the publication That Hashtag Show. The film, directed by Michael Gracey, previously known for his work on “The Greatest Showman,” is being lauded as a fantastical musical spectacle that challenges and redefines the traditional boundaries of the biopic genre.
A Departure from Convention
“Better Man” reportedly distinguishes itself from conventional biographical films through its innovative narrative approach and visually ambitious presentation. Rather than adhering strictly to a chronological or purely factual account, Gracey’s direction is described as embracing a more interpretive and expressive style, utilizing musical numbers and symbolic imagery to delve into the complexities of Williams’ life and career.
Central to the film’s unique storytelling is the distinctive use of a monkey as a symbolic representation of Robbie Williams’ internal struggles. This creative choice serves to personify his battles with addiction, depression, and broader mental distress, concepts Williams himself has touched upon in his music, notably in his song “Me and My Monkey.”
The review highlights this element as a particularly effective and resonant method of depicting the artist’s inner turmoil, lending a layer of depth and metaphor not commonly found in the genre.
Musical and Visual Highlights
The critical review from That Hashtag Show specifically points to several standout musical sequences within the film. Among these is the depiction of the iconic “Rock DJ” track, presented in a manner that underscores the film’s commitment to visual spectacle and energy. Another sequence receiving particular praise is a modern dance scene set to the song “She’s the One.” This scene is noted for powerfully depicting Williams’ relationship with Nicole Appleton, formerly of the group All Saints, showcasing the film’s ability to blend personal narrative with artistic expression through movement and music.
While the film is largely celebrated for its creative triumphs, the review does offer some critical observations regarding narrative flow. It mentions a montage sequence showing Williams in rehab and references a scene described as a “Happy Ending” involving his father, suggesting moments of resolution or pivotal life events are included. However, the review also points out a perceived “missing narrative link regarding the events leading to rehab.” This suggests that while the film portrays the outcome, the specific journey into that period of his life might be less explicitly detailed, leaving a gap in the causal chain for the viewer.
Broad Appeal and Genre Redefinition
Despite this minor critique concerning narrative transition, the overall assessment is overwhelmingly positive. “Better Man” is characterized as an incredible experience that possesses significant potential to appeal to a remarkably wide audience. The review emphasizes that the film’s unique approach and engaging spectacle can captivate viewers even those not already fans of Robbie Williams, suggesting its artistic merit transcends the subject matter itself.
In conclusion, the review published by That Hashtag Show on January 8, 2025, positions “Better Man” not merely as a biographical film, but as a bold artistic statement. By employing fantastical elements, profound symbolism like the monkey representing inner demons, and ambitious musical sequences, director Michael Gracey appears to have successfully crafted a work that is both a tribute to Robbie Williams’ complex life and a significant contribution to the evolution of the biopic genre.


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