On the Flipside Music Unveils Extensive Concert Review Collection Featuring Gene Simmons, Glen Hansard, and More on May 10, 2025

On the Flipside Music Unveils Extensive Concert Review Collection Featuring Gene Simmons, Glen Hansard, and More on May 10, 2025

On the Flipside Music Unveils Extensive Concert Review Collection Featuring Gene Simmons, Glen Hansard, and More on May 10, 2025

On May 10, 2025, music enthusiasts gained access to a comprehensive collection of concert reviews published by On the Flipside Music. The compilation offers insights into recent live performances across various genres and artists, providing readers with detailed accounts of memorable nights on stage.

The collection notably features a review of a performance by the legendary Gene Simmons. Known globally as a co-founder of the iconic rock band KISS, Simmons delivered a setlist that paid homage to his illustrious career while also exploring broader musical territory. The review highlights the inclusion of beloved KISS classics that have defined generations of rock music. Among the crowd-pleasing anthems performed were “Shout It Out Loud” and “Rock and Roll All Nite,” staple tracks synonymous with the band’s high-energy performances.

Beyond the KISS catalog, Simmons also incorporated notable cover versions into his set. The review specifically mentions renditions of Thin Lizzy’s gritty “Bad Reputation” and Van Halen’s powerful “House of Pain,” showcasing his appreciation for fellow rock titans. A poignant moment captured in the review was a tribute to the late Motörhead frontman Lemmy Kilmister, with Simmons performing a version of the seminal track “Ace of Spades.” The concert featured Turning the Tide as the opening band, setting the stage for Simmons’ dynamic appearance.

Exploring Diverse Sounds: From Americana Roots to Acoustic Folk

The On the Flipside Music collection extends beyond hard rock, delving into the rich textures of Americana and folk music. Featured prominently is a review of Szlachetka, an artist currently on tour supporting his new album, “Heart Of My Hometown.” Described within the review as an Americana roots rock artist, Szlachetka’s performance captured the essence of his genre, blending heartfelt lyrics with compelling musical arrangements.

Szlachetka’s rising profile is underscored by past recognition, including being named a ‘New Country Artist to Know‘ by the esteemed Rolling Stone magazine. The review also references a performance at Hollywood’s Hotel Café, a venue celebrated for showcasing singer-songwriters and fostering intimate musical experiences, pointing to the artist’s connection with key performance spaces.

Another highlight of the published reviews is a look at Glen Hansard’s concert. The acclaimed Irish singer-songwriter, known for his work with The Frames and The Swell Season, performed at the Los Angeles Regent Theater. Hansard’s performances are often lauded for their emotional depth and raw intensity, and the review provides insights into this particular evening. The opening act for Glen Hansard was We/Or/Me, who set the tone for the night with a selection of acoustic folk songs, demonstrating the curated nature of the evening’s musical journey.

Additional Perspectives: The Victor Krummenacher Band

The comprehensive nature of the On the Flipside Music release is further illustrated by the inclusion of a review for the Victor Krummenacher Band. While details regarding the performance setlist or specifics were not extensively highlighted in the provided summary, the review is noted to have mentioned Krummenacher’s solo album, “Blue Pacific.” Krummenacher, known for his work with Camper Van Beethoven and Cracker, maintains a prolific solo career, and the mention of “Blue Pacific” provides context for his recent musical output.

Published on May 10, 2025, this collection from On the Flipside Music serves as a valuable resource for music fans seeking detailed accounts of live performances. Covering a spectrum from hard rock legends like Gene Simmons to the nuanced sounds of Americana and folk artists such as Szlachetka and Glen Hansard, the reviews offer diverse perspectives on the contemporary concert landscape. The inclusion of notes on opening acts and specific musical details like setlist inclusions and album mentions enriches the reader’s understanding of these significant live music events.